Likewise, the melding of acoustic and electric guitars and piano on "Heartlandtruckstop" also sounds quintessentially O'Rourke. She was moved to work with O'Rourke after hearing his eloquently simple Halfway to a Threeway EP, and the folky-yet-sophisticated sound of that release and Insignificance serves as the template for this album, particularly on the slightly twangy "Countenance," which showcases Barnes' subtle, intricately shifting rhythms. How nice, then, it is to hear those qualities in abundance on Comfort of Strangers, which Orton recorded in just two weeks with producer Jim O'Rourke and percussionist Tim Barnes.
After 2002's somber and overdone Daybreaker, it seemed possible that Beth Orton was losing the focus and freshness that made her so compelling on Trailer Park and Central Reservation.
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